is a Stockholm-based interdisciplinary artist, designer, researcher, and soundwalker
interested in attending to (as in paying attention) and recording (as in calling to mind and heart) the diversity of human and other-than-human realms and existences.
In his design and art practice, besides working with existing documents, archives and heritage, Smolicki develops new modes of sensing, field-recording, para-archiving, and mediating stories and signals from various sites, scales, and temporalities. His work is manifested through soundscape compositions, soundwalks, site-responsive performances, experimental para-archives, audio-visual installations, and diverse forms of writing.
In his academic research, informed by artistic practice, philosophy of technology, and media archaeology, Smolicki focuses on inventive, tactical, and existential uses of recording and communication technologies in cultural practices and everyday life realms.
He has exhibited, presented his works, performed, soundwalked, and gave workshops internationally (e.g. Kraków, Madrid, Moscow, Helsinki, Stockholm, San Francisco, Budapest, Vienna, Sarajevo, Oxford). In 2017 he completed his PhD from the School of Arts and Communication at Malmö University where he was a member of the Living Archives, a research project funded by the Swedish Research Council.
Between 2020-2023 Smolicki pursues an international postdoc funded by the Swedish Research Council. His research explores the history and prospects of field recording and soundwalking practices from the perspective of arts, environmental humanities, and media archaeology. He is also an associate scholar at the Uppsala Informatics and Media Hub for Digital Existence at Uppsala University. From January 2020 he is a member of BioMe, a research project that investigates ethical implications of AI technologies on everyday life realms. Smolicki explores sonic capture cultures and the impact of AI technologies on human voice.
Since 2008 Smolicki has been working on On-Going Project, a systematic experimentation with various recording techniques and technologies leading to a multifaceted para-archive of contemporary everyday life, culture, and environment One such ongoing practice is the recording of one minute of sound in public space which Smolicki has been committed to on a daily basis ever since July 2010.
Ateljé 224, Platform Stockholm, Lövholmsgränd 12, 117-43, Stockholm, Sweden